While both are wearing tuxes (which, if you know the show, must be very odd to see since Shawn is the kind to wear sneakers with blue jeans and a tux t-shirt instead of a suit), the two arrive at the Santa Barbara Museum of Art. This specific book involves involves Gus dragging Shawn to go help someone Shawn didn't want to take on as a client.
#FATAL FRAME 4 CHAPTERS SERIES#
Probably this and other books in the series are easier/better read by those who watched and enjoyed the television series Psych (which isn't always the case with media-tie-in books, some can be read and loved by any random reader). Did I read this one previously? Apparently I did since I marked it as being read in 2009. I hasten to note that I do not mean confused as to what occurs in the book, but, instead, confused as to how I never seem to recognize the books as I read them (for the most part, with exceptions both for books and scenes). Probably this and other books in the series are easier/better read by those who watched and enjoyed the television I'm frequently confused when I reread Psych books. However, Mandel pushes against the usual format of the genre, setting her novel many years after the collapse of civilization instead of focusing on the chaos of the fall itself.I'm frequently confused when I reread Psych books. The novel also includes references to A Midsummer Night’s Dream, and at the other end of the highbrow/lowbrow artistic spectrum, to the television show Star Trek: Voyager, which provides the Symphony with its motto: “survival is insufficient.” In terms of influences on Mandel, it is easy to look to other post-apocalyptic novels, specifically The Road by Cormick McCarthy, which Mandel has said paved the way for works with that subject matter to be seen as valuable literature instead of lesser fiction. Thematically, Mandel borrows from the tragedy, and she also stages two production of the play within her novel, one before and one after the collapse. The primary example of this is Shakespeare, specifically King Lear. Station Eleven contains many explicit references to other works of art, and relies on them heavily for source material. It could be considered a worst-case scenario of the Swine Flu or Ebola pandemics. In other words, while the Georgia Flu is fictional, something like it occurring is far from impossible. Such outbreaks could be said to contribute to the fear surrounding deadly viruses and diseases, while lending some credibility to the future Mandel describes. Other historical events of note are the 2009 “Swine Flu” pandemic, which generated tremendous fear and media coverage, as well as the 2014 Ebola outbreak, which occurred around the time of the novel’s publication.
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Bouts of the plague occasionally returned, and more than once closed theatres in Shakespeare’s England –which places Shakespeare’s plays, a great source of material for Mandel and her characters, in a distant yet similar context to the world devastated by the Georgia Flu.
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The first is the spread of the bubonic plague (or Black Death) in Asia, Africa, and Europe during the 14th century, when about a quarter of the population perished. While the novel does not include specific historical events as part of its plot, a number of events provide inspiration and resonance.